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Jazz Research Roundtable - Allen Lowe
WAM, BAM: White American Music, Black American Music: The Restless and Revolutionary Tradition (sic) and the Spirit of Static Change: Deep Sources by Allen Lowe
Allen Lowe on WAM, BAM: Jazz's biggest problem is, I think, complacency. Hence a lot of its conservative reaffirmation of certain kinds of 'traditional' values. Yet the music has survived by virtue of its paradoxically revolutionary traditionalism--its ability to look at its past (and the past, really, of all American music) through the slightly distorting, yet transforming lens of sonic variation, out of deeply African and African American sources altered, even as they changed internally, by the pressures of white, Euro-American economic hegemony. The result is a Creolization of certain kinds of sonic habits, black to the core, yet never shy about borrowing from both outsiders and insiders.
We will play a series of recordings illustrating aspect of varying styles of black American music from the years 1900-1950, and discuss the ways in which they both fit into and deviate from conventional ideas of this American sonic heritage.
Allen Lowe is a historian and saxophonist whose latest CD project, Mulatto Radio: A Jew At large in the Minstrel Diaspora has been called a work of “genius” by John Szwed. In the past he has recorded with Julius Hemphill, David Murray, Matthew Shipp, Roswell Rudd, Doc Cheatham, Ursula Oppens,and others. Lowe has written several books on jazz, rock and roll, and the blues, and is currently working on a history of country music. He is also a mastering and restoration engineer.
THE ROUNDTABLE IS FREE AND OPEN TO THE PUBLIC